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AR Rahman Sparks Controversy: Accuses Bollywood of ‘Communal Bias’ in Latest Interview – Playing the Muslim Victim Card

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AR Rahman Sparks Controversy: Accuses Bollywood of ‘Communal Bias’ in Latest Interview – Playing the Muslim Victim Card?

Oscar-winning music composer A.R. Rahman has ignited a heated debate in the Indian entertainment industry after suggesting that a “communal thing” and power shifts in Bollywood may have contributed to him receiving fewer opportunities over the past eight years.

In a recent BBC Asian Network interview, Rahman discussed his career trajectory, noting a decline in Hindi film projects since around 2018. He attributed this partly to non-creative decision-makers gaining influence and hinted at underlying prejudice, describing it as something heard through “Chinese whispers” rather than direct experience. He also labeled the 2025 blockbuster Chhaava (starring Vicky Kaushal) as a “divisive” film that “cashed in on divisiveness,” while defending his work on it as focusing on themes of bravery.

Adding to the buzz, Rahman highlighted his ongoing project for Nitesh Tiwari’s Ramayana, stating: “Hans Zimmer is Jewish, I am Muslim, and Ramayana is Hindu.” He emphasized rising above narrow-mindedness and embracing art beyond religious boundaries, responding to trolls questioning a Muslim composer’s involvement in a Hindu epic.

Industry Reactions Pour In

  • Kangana Ranaut slammed Rahman on social media, calling him the “most prejudiced and hateful” person she’s encountered. She claimed he refused to meet her for her film Emergency, labeling it “propaganda,” despite its critical acclaim.
  • Javed Akhtar rejected any communal angle, suggesting producers might hesitate due to Rahman’s stature rather than bias.
  • Shobhaa De called the remarks “dangerous.”
  • Outlets like OpIndia and others accused him of baselessly playing the Muslim victimhood card, pointing out Bollywood’s historically Muslim-friendly environment and consistent work for other Muslim artists.
  • Social media erupted with criticism, with users comparing him to figures like Mohammad Azharuddin for allegedly using identity as an excuse when opportunities dry up.

Rahman’s conversion to Islam (from Dileep Kumar) in the late 1980s, his Sufi leanings, and past controversies (like the 2015 fatwa over a Prophet Muhammad biopic score) have resurfaced in discussions. Critics argue his recent music has lost its edge, with some attributing the dip to natural career cycles rather than bias.

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Is this a genuine grievance from a legend feeling sidelined, or an unfortunate resort to identity politics amid waning demand? The debate rages on as Rahman prepares for major projects like Ramayana. What do you think—share your views below! 🎶🇮🇳

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